Once as I was traveling
The speaker begins by recounting a specific moment during their journey.
on a highway
The setting is established on a highway, a common pathway for travel.
to Mexico
The destination of the journey is revealed, pointing to a specific location.
behind a battered once-blue
The speaker is following a worn-out, previously blue-colored vehicle.
Mustang
The type of car being followed is identified as a Mustang.
with a dusty rear window,
The Mustang is described as having a dusty rear window, indicating its less-than-perfect condition.
the wind really sang
A personification of the wind, suggesting a heightened or emotional atmosphere.
for me
The wind is singing for the speaker, creating a personalized connection to the environment.
when suddenly out of the side
A sudden and unexpected event occurs.
of the speeding car
- Refers to the Mustang, which is moving quickly.
in front of me
The perspective is maintained, emphasizing the events happening ahead of the speaker.
a womanโs hand
Introduces the image of a woman’s hand, indicating a female presence.
with a wrist watch on it
Specific details about the hand, including the presence of a wristwatch.
threw away
The woman’s hand is engaged in discarding or throwing something.
a series of whirling objects
Multiple items are being thrown in a swirling motion.
on to the hurtling road:
The objects are landing on the road, emphasizing the speed of the car.
a straw
The first item thrown, a straw, introduces the list of discarded objects.
hat,
Followed by a hat, contributing to the imagery of clothing being discarded.
a white shoe fit
Describing a white shoe suitable
to be a fetish,
The white shoe has fetishistic connotations, suggesting unconventional or provocative elements.
then another,
The sequence of items being thrown continues.
a heavy pleated skirt
Describing the type of clothing being discarded.
and a fluttery
Additional details about the clothing, using contrasting adjectives.
slip, faded pink,
The slip is a pink color but faded, adding to the visual imagery.
frayed lace-edge
Describing the worn condition of the clothing with frayed lace.
and all (I even heard it swish),
The poet mentions hearing the sound of the clothing swishing as it is thrown.
a leg-of-mutton blouse
Describing a style of blouse with a distinctive shape.
Just as fluttery.
Reiterating the fluttery quality, possibly suggesting lightness or movement.
And as I stepped
The speaker becomes an active participant in the narrative.
on the gas
Accelerating the vehicle.
and my car lunged
The speaker’s car makes a sudden, forceful movement.
into the fifty feet
The distance between the speaker’s car and the Mustang is emphasized.
between me
Referring to the space between the two cars.
and them,
Highlighting the spatial relationship between the speaker and the other car.
a rather ordinary,
The description of the next item being thrown.
used, and off-white bra
Details about the bra, suggesting it’s ordinary, used, and off-white.
for smallish
Further description, indicating the size of the breasts the bra is intended for.
breasts whirled off
The bra is thrown and spins in the air.
the window
Indicating the trajectory of the bra from the car window.
and struck
Describing the impact of the bra.
a farmerโs barbed wire
The bra hits a farmer’s barbed wire, introducing a new element to the scene.
with yellow-green wheat grass
Describing the surroundings with colorful details.
beyond
The location of the wheat grass.
and spread-eagled on it,
Depicting how the bra lands on the barbed wire.
pinned
Describing the position of the bra on the wire.
by the blowing wind.
Emphasizing the influence of the wind on the bra’s placement.
Then before I knew,
The sequence of events is swift and almost unexpected.
bright red panties
Introducing the next item, bright red panties.
laced with white
Describing the panties in more detail.
hit
The action of the panties landing.
my windshield
The location of impact on the speaker’s car.
and I flinched,
The speaker reacts with a flinch, indicating surprise or discomfort.
I swerved,
The immediate response of swerving the car.
but then
Conjunction, signaling a change or realization.
it was gone,
The panties are quickly swept away or disappear.
swept aside
Describing the motion of the panties.
before I straightened up fortunately,
The speaker regains composure after the abrupt reaction.
no one else
Referring to other people on the road.
on the road:
The speaker reflects on the uniqueness of the situation.
excited, curious
Describing the potential reactions of others.
to see the stripper
The expectation of witnessing a stripper on the highway.
on the highway,
Clarifying the location of the anticipated spectacle.
maybe with an urgent
Introducing a speculative element.
loverโs one free hand
Imagining a scenario with a lover.
(or were there more?)
Posing a question about the number of people involved.
on her breast
Continuing the imaginative scene with the lover.
or thigh,
Suggesting intimate and erotic actions.
I stepped again
The speaker resumes their journey.
on the gas, frustrated by their
The frustration suggests unfulfilled expectations.
dusty rear window
Referring to the dusty rear window of the Mustang.
at fifty feet
Reiterating the distance between the two cars.
I passed them
The speaker overtakes the Mustang.
at seventy.
Indicating the increased speed of the speaker’s car.
In that absolute
Introducing a moment of clarity or realization.
second,
Emphasizing a brief yet significant moment.
that glimpse and afterimage in this hell
Describing the lasting impression of the scene.
of voyeurs, I saw
Reflecting on the nature of the observers.
only one at the wheel:
The speaker identifies the person driving.
a man,
Revealing the unexpected identity of the driver.
about forty.
Providing an age estimate for the man.
A spectacled profile
Describing the appearance of the man.
looking only
Emphasizing the focus of the man.
at the road
Indicating the man’s attention to the road.
beyond the nose of his Mustang,
Describing the man’s gaze and focus.
with a football
Introducing a football, a seemingly ordinary item.
radio on.
Describing the man’s engagement with a football radio channel.
again and again
Repeated actions of the speaker.
I looked in my rearview
The speaker checks the rearview mirror multiple times.
mirror
The reflective surface inside the car.
as I steadied my pace
The speaker adjusts their speed.
against the circling trees,
Describing the surroundings with circling trees.
but there was only
Expressing surprise at the absence of others.
a man:
Reiterating the solitary presence of the man.
had he stripped
Posing a question about the man’s actions.
not only hat
Considering the possibility of the man shedding more than just clothing.
and blouse, shoes
Expanding the list of items that might have been shed.
and panties
Including undergarments in the list.
and bra,
Completing the list of potentially discarded items.
had he shed maybe
Speculating on the man’s actions.
even the woman
Considering the shedding of a woman’s identity or presence.
he was wearing,
Suggesting that the man might have shed a feminine persona.
or was it me
Introducing uncertainty about the observer’s identity.
moulting, shedding
Metaphorical language comparing the observer’s experience to shedding.
vestiges, old investments,
Describing the discarded elements as remnants of the past.
rushing forever
Indicating a perpetual forward movement.
towards a perfect
Describing the direction of the rush.
coupling with naked nothing
Introducing the idea of a spiritual or transcendent union.
in a world without places.
Describing a hypothetical world devoid of physical or cultural distinctions.
-
The Setting: A Mission Built on Sand The story is set in the 1930s in colonial Cameroon. Our “eyes and ears” for the story is Denis, a young boy who is incredibly devoutโalmost to a fault. He works for Father Drumont, the powerful, stern, and legendary founder of the Bomba mission. To Denis, Drumont is…
-
Act & Scene Quote Meaning 1.3 “What, can the devil speak true?” Banquo is shocked that the Witches’ prophecy about the Thane of Cawdor came true, showing his immediate suspicion. 1.3 “The instruments of darkness tell us truths… to betray ‘s in deepest consequence.” He warns Macbeth that evil forces use small truths to trick…

Leave a Reply