“Anxiety”
The title sets the theme of the poem, suggesting a focus on the emotional state of anxiety.
“Not branchless as the fear tree,”
The poet begins by comparing anxiety to the fear tree, highlighting that anxiety is not without its complexities or branches.
“It has naked roots and secret twigs”
The description of anxiety having “naked roots and secret twigs” implies that its origins and manifestations are exposed and hidden simultaneously.
“Not geometric as the parabolas”
In contrast to hope, which often follows a geometric and predictable path, anxiety is suggested to lack such precision.
“Of hope, it has loose ends”
Anxiety is characterized by loose ends, indicating a lack of resolution or order in contrast to the structured nature of hope.
“With a knot at the top”
The mention of a knot at the top suggests a central point of tension or a focal source within the individual, signifying a personal connection to anxiety.
“That’s me.”
The poet associates the knot with the self, suggesting a personal and internal dimension to anxiety.
“Not wakeful in its white snake”
Anxiety is contrasted with a white snake, a symbol often associated with wakefulness or alertness. The poet asserts that anxiety lacks this characteristic.
“Glassy ways like the eloping gaiety of waters,”
The poet contrasts anxiety with the glassy, smooth flow of water in a joyful state, suggesting that anxiety is not as transparent or free-flowing.
“It drowses, viscous and fibered as pitch.”
Anxiety is characterized as drowsy, thick, and fibrous like pitch, conveying a sense of heaviness and stickiness.
“Flames have only lungs. Water is all eyes.”
This line introduces metaphorical attributes to flames and water, emphasizing their respective qualities. Flames “have only lungs” may suggest their consuming nature, while water “is all eyes” suggests a watchful and perceptive quality.
“The earth has bone for muscle.”
The earth is metaphorically described as having bone for muscle, perhaps indicating its strength and solidity.
“And the air is a flock of invisible pigeons.”
The air is likened to a flock of invisible pigeons, introducing a poetic image that contrasts with the tangible and visible qualities of the earth and water.
“But anxiety”
The poet returns to the central theme, bringing the focus back to anxiety.
“Can find no metaphor to end it.”
The poet concludes by stating that anxiety cannot be encapsulated or ended with a metaphor, emphasizing its elusive and indescribable nature.
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