“Annette,”

The poet addresses someone named Annette. The use of the name suggests a personal and specific focus.

“At the dresser.”

Annette is located at a dresser, a piece of furniture where personal items are often kept. This sets the scene for the poem and indicates a moment of personal reflection.

“Pale fingers over mirror-fields”

Annette is using her pale fingers to touch or move over what is described as “mirror-fields.” This could suggest a series of mirrors or a reflective surface where Annette is engaging in self-examination.

“Reaping”

The term “reaping” metaphorically suggests a purposeful and thoughtful action, as if Annette is gathering or harvesting something. It introduces an element of intentionality to her gestures.

“That wheat brown hair.”

Annette is focusing on her own wheat-brown hair. The use of “wheat brown” adds a natural and earthy quality to the description, connecting her physical appearance to elements of the natural world.

“Beauty”

The poem shifts to a broader theme of beauty, which could encompass Annette’s self-perception. The word “beauty” here is a significant pivot, indicating a contemplation of personal aesthetics.

“Falling as chaff in old mirrors,”

Beauty is likened to “chaff,” the outer husk of grains separated during threshing. This metaphor suggests the shedding or transformation of beauty over time. The “old mirrors” imply a historical dimension, emphasizing changes that have occurred.

“While calendars”

The focus shifts again, this time to the concept of time represented by calendars. Calendars are symbolic of the passage of time and the events that mark it.

“In all”

The inclusion of “in all” suggests a universal perspective, indicating that what follows applies everywhere or to everyone.

“The cities turn….”

The turning of calendars in cities symbolizes the passage of time on a larger scale, affecting people in various places. This line adds a broader dimension to the poem, suggesting a shared human experience of time’s progression.