There is no warning rattle at the door
nor heavy feet to stomp the foyer boards.
Safe in the dark prison, I know that
light slides over
the fingered work of a toothless
woman in Pakistan.
Happy prints of
an invisible time are illumined.
My mouth agape
rejects the solid air and
lungs hold. The invader takes
direction and
seeps through the plaster walls.
It is at my chamber, entering
the keyhole, pushing
through the padding of the door.
I cannot scream. A bone
of fear clogs my throat.
It is upon me. It is
sunrise, with Hope
its arrogant rider.
My mind, formerly quiescent
in its snug encasement, is strained
to look upon their rapturous visages,
to let them enter even into me.
I am forced
outside myself to
mount the light and ride joined with Hope.Through all the bright hours
I cling to expectation, until
darkness comes to reclaim me
as its own. Hope fades, day is gone
into its irredeemable place
and I am thrown back into the familiar
bonds of disconsolation.
Gloom crawls around
lapping lasciviously
between my toes, at my ankles,
and it sucks the strands of my
hair. It forgives my heady
fling with Hope. I am
joined again into its
greedy arms.
Maya Angelou’s poem “A Plagued Journey” talks about a tough and unsettling experience.
The poem begins with the person feeling safe in a dark place. There’s no warning of trouble, no loud noises at the door. But suddenly, something unwelcome comes in โ like an invader.
This invader brings images and memories from far away, like a toothless woman in Pakistan. These memories, though happy, seem distant and unreal. The person is taken aback, unable to speak or breathe properly.
The invader moves closer, seeping through walls and entering the person’s space. It’s as if it’s everywhere, and the person can’t escape. There’s a feeling of fear, like a bone stuck in their throat.
As this unsettling force takes over, it’s compared to sunrise, bringing hope with it. The person’s mind, once calm and quiet, is now forced to look at hopeful things, even though it’s difficult.
During the bright hours, the person holds on to hope, expecting things to get better. But as darkness comes, hope fades away, and they’re left feeling down and disheartened. Sadness surrounds them, making them feel trapped once again.
In the end, the person talks about being joined again with a feeling of gloom. It’s like a familiar and greedy force that takes over, forgiving the earlier hopeful moments. The person is once again embraced by a sense of sadness and despair.
In simpler terms, the poem explores the struggle of facing a difficult and unexpected situation, holding onto hope, but eventually being overwhelmed by a sense of despair and sadness.
-
Character Name Role in the Story Description Abudu Olwit Protagonist A poor village boy who goes to university and later faces prison and hardship. Alicinora Mother Abuduโs poor but caring mother. Adoli Awal Antagonist / Politician A powerful MP who uses his influence against Abudu. Village Headman Local leader Supports the powerful politicians in the…
-
Character Role in the Play Character Traits What the Character Represents Kyeyune Fisherman and survivor who refuses to board the rescue boat Brave, cautious, observant, resilient The ordinary citizen who questions authority and survives through wisdom Nankya University lecturer; daughter of a victim of state violence Educated, strong, emotionally affected The suffering of innocent families;…
-
INSPECTOR GOOL Quote Page No. โWe are members of one body.โ p. 56 โPublic men, Mr Birling, have responsibilities as well as privileges.โ p. 10 โEach of you helped to kill her.โ p. 54 โIf men will not learn that lesson, then they will be taught it in fire and blood and anguish.โ p. 56…
-
Quote Speaker Page No. Meaning โIt was a pleasure to burn.โ Narrator (Montag) p. 1 Shows Montagโs excitement about burning books and how normal censorship feels to him at the start. โAre you happy?โ Clarisse p. 7 This simple question begins Montagโs emotional and intellectual awakening. โWe need not to be let alone. We need…

Leave a Reply