“Worship this world of watercolor mood”
The speaker encourages reverence for the beauty and changing moods of the natural world in springtime, likening it to a watercolor painting.
“in glass pagodas hung with veils of green”
Imagery of delicate structures, like glass pagodas, adorned with green foliage, evokes a sense of fragility and beauty in nature.
“where diamonds jangle hymns within the blood”
This metaphor suggests that the brilliance of nature’s beauty resonates within us, like the sound of diamonds jangling, filling us with a sense of awe and wonder.
“and sap ascends the steeple of the vein.”
The imagery of sap rising within veins, likened to a church steeple, symbolizes the rejuvenation and vitality of life in spring.
“A saintly sparrow jargons madrigals”
The speaker describes a sparrow singing joyful songs, or madrigals, as if performing a sacred act.
“to waken dreamers in the milky dawn,”
The sparrow’s song is said to awaken dreamers at dawn, suggesting the transformative power of nature’s beauty to inspire and uplift.
“while tulips bow like a college of cardinals”
Tulips are portrayed as bowing in reverence, similar to how a group of cardinals might bow before a religious leader.
“before that papal paragon, the sun.”
The sun is likened to a papal figure, symbolizing its central role and power in the natural world.
“Christened in a spindrift of snowdrop stars,”
The speaker describes themselves and their love as being baptized or blessed in a flurry of snowdrop flowers, symbolizing the purity and renewal of love.
“where on pink-fluted feet the pigeons pass”
Pigeons are depicted with graceful movements, described as passing by on pink-colored feet.
“and jonquils sprout like solomon’s metaphors,”
Jonquils, a type of flower, are said to emerge like metaphors from the Bible, suggesting the richness and depth of nature’s symbolism.
“my love and I go garlanded with grass.”
The speaker and their love are adorned with grass, symbolizing their connection to and immersion in the natural world.
“Again we are deluded and infer”
The speaker reflects on their tendency to be deceived and misinterpret reality.
“that somehow we are younger than we were.”
Despite the beauty and vitality of spring, the speaker acknowledges that they still age and cannot escape the passage of time.
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FRIAR LAWRENCE: “Romeo, come forth; come forth, thou fearful man.” “Affliction is enamored of thy parts, And thou art wedded to calamity.” Enter Romeo. ROMEO: “Father, what news? What is the Prince’s doom? What sorrow craves acquaintance at my hand That I yet know not?” FRIAR LAWRENCE: “Too familiar Is my dear son with such…
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