O mud, mud, how fluid! โ-
Thick as foreign coffee, and with a sluggy pulse.
Speak, speak! Who is it?
It is the bowel-pulse, lover of digestibles.
It is he who has achieved these syllables.What are these words, these words?
They are plopping like mud.
O god, how shall I ever clean the phone table?
They are pressing out of the many-holed earpiece, they are looking for a
listener.
Is he here?Now the room is ahiss. The instrument
Withdraws its tentacle.
But the spawn percolate in my heart. They are fertile.
Muck funnel, muck funnel โ
You are too big. They must take you back!
“Words Heard, By Accident, Over The Phone” by Sylvia Plath is a poem that delves into the unsettling experience of overhearing a private conversation. Throughout the poem, the speaker grapples with feelings of discomfort, invasion of privacy, and disgust as they listen to words exchanged over the telephone.
In the first stanza, the speaker describes the words they hear as “mud” and “sluggy,” comparing them to foreign coffee with a thick, fluid consistency. The speaker urgently demands to know who is speaking, as the words take on a visceral quality, reminiscent of bodily functions.
As the poem progresses, the speaker continues to express their revulsion at the conversation, likening the words to mud that plops and oozes. They contemplate how to clean the phone table, which has become contaminated by the conversation. The imagery becomes more vivid as the speaker describes the words as pressing out of the phone’s earpiece, as if seeking out a listener, further emphasizing the invasion of privacy.
In the final stanza, the phone call ends, and the instrument withdraws its connection, bringing a sense of relief to the speaker. However, the speaker is left with lingering feelings of discomfort and disgust, as the words continue to linger in their heart. The repetition of “muck funnel” conveys the speaker’s desire to rid themselves of the intrusive words, highlighting the emotional turmoil caused by the experience.
Overall, “Words Heard, By Accident, Over The Phone” captures the sense of invasion, discomfort, and disgust that can accompany the experience of overhearing a private conversation. Through vivid imagery and visceral language, Sylvia Plath conveys the speaker’s emotional turmoil and highlights the intrusive nature of communication technology.
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The Setting: A Mission Built on Sand The story is set in the 1930s in colonial Cameroon. Our “eyes and ears” for the story is Denis, a young boy who is incredibly devoutโalmost to a fault. He works for Father Drumont, the powerful, stern, and legendary founder of the Bomba mission. To Denis, Drumont is…
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